Directions: Read each sentence carefully and choose the letter of the correct answer. 1. He is a follower of Cubism and Dadaism which serve as his guiding principles. A. Hernando Ocampo B. Ibarra dela Rosa C. Robert Rodrigues Chabet D. Mauro Malang Santos 2. Which of the following is an artwork of Mauro Malang Santos? A. Growth B. Hills of Nikko C. Jeepneys D. Landscape 3. Whose art is described to be "abstract compositions" of biological forms that seem to oscillate, quiver, inflame and multiply like mutations? A. Hernando Ocampo B. Jose Joya C. Robert Rodrigues Chabet D. Vicente Manansala 4. Which of the following does not describe Mauro Malang Santos? A. Artist B. Illustrator C. Cartoonist D. Impressionist
Answer (1)
Let's carefully look at each question one by one:
He is a follower of Cubism and Dadaism which serve as his guiding principles.
Option C. Robert Rodrigues Chabet is the correct answer. Roberto Rodríguez Chabet is known for his involvement in the modernist movements, including Cubism and Dadaism, which influenced his art principles.
Which of the following is an artwork of Mauro Malang Santos?
Option C. Jeepneys is the answer. Mauro Malang Santos, more commonly known as Malang, is famous for his vibrant depictions of local Philippine scenes which include the famous 'Jeepneys'.
Whose art is described to be "abstract compositions" of biological forms that seem to oscillate, quiver, inflame, and multiply like mutations?
Option A. Hernando Ocampo is the correct answer. His works are characterized by abstract compositions that are dynamic and mimetic of natural forms as described.
Which of the following does not describe Mauro Malang Santos?
Option D. Impressionist is the correct choice. Mauro Malang Santos is not typically described as an Impressionist; he is better known as an artist, illustrator, and cartoonist specializing in colorful depictions of Philippine life.
Each answer provides insight into the unique styles and contributions of these artists, reflecting their influences and artistic evolution.
